In the late 1950s and early ‘60s, I was a young poet living in Manhattan’s Lower East Side, open to rebellious art movements. Donald Allen’s The New American Poetry anthology converted me to the post-Beat side of Academics vs. Rebels. I was amazed that you “could” write about something happening right in front of you versus analyzing the Latinate Universal.
the 12 (n.d.). Cover by Jo Bernofsky.
I moved home (Boulder), became a messenger between plain and fancy poetics, started a “little” named the: fourteen issues from 1965 to 1975, all work done and costs paid (after issue 1) by my factory labor income (I was also raising a family). Editorially I strove for post-Olsonian (et al.) spare wildness. And for the best poets available. Olson himself sent a piece for number 3. Other published luminaries included Robert Kelly, Gary Snyder, Jerome Rothenberg, Rochelle Owens, Aram Saroyan, Ron Silliman, Ron Padgett, Denise Levertov, Kenneth Rexroth, Jackson Mac Low, Allen Ginsberg, Ed Dorn, John Giorno, Anne Waldman, and Bob Creeley.
the 14 .
was made with, simultaneously, great care and unlimited experimentalism, it was widely regarded as an excellent mag by the poetry generators.
A special feature of the was the stimulating variety of excerpts from the world at large (especially issue 6). Chunks of Columbus, Darwin, folk medical cures, and such world-chat melded with, while lighting up, the Vigils and Tarns.
Publication was quite simple physically. No ads; just selections from literary waters of the planet.
— Jack Collom, Boulder, Colorado, January 2017